Arts Fuse Editor
Paradise Lost’s Replay is nothing if not exuberant.
MJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Lisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.
Jim Harrison’s prose is gorgeous, illuminating. The simple language slides into your head and resonates there.
Kent Nagano’s return to Boston revealed him to be a fully mature world-class conductor.
In the Shadow of Women is obviously meant to be a throwback/homage to the French New Wave cinema of the early to mid-1960s.
Lawren Harris is determined to present a static vision of the top of the continent, a version of nature that is stylized, austere, immobile, and eternal.
Skylar Gudasz’s deep voice is well suited to the gorgeous melancholy that pervades her songs.
Koubi’s piece overturned expectations in so many ways it could be called innovative, groundbreaking.
Recent Comments