Arts Fuse Editor

Visual Arts Review: Rediscovered Feminist Rebel — Artist Miriam Laufer

September 29, 2016
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The political and feminist works of the ’60s and ’70s make the case for Miriam Laufer’s place in the annals of post-war American modernism.

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Book Review: Watching TV with Omnicultural Smarts — Clive James’ “Play All”

September 29, 2016
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Clive James is cosmopolitan and learned, but he’s far from a snob.

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Fuse Coming Attractions: October 2 through 11 — What Will Light Your Fire

September 25, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

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Visual Arts Review: The Photography of Imogen Cunningham — A Creative Bridge Between Two Worlds

September 22, 2016
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As an artist whose photographs bridge the old world and the new, Imogen Cunningham should be a part of the present-day conversation.

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Music Interview: Jim Kweskin and Geoff Muldaur

September 22, 2016
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Jim Kweskin and Geoff Muldaur are still mining America’s musical traditions.

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Theater Review: SpeakEasy Stage Company Delights with “Significant Other”

September 21, 2016
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From Significant Other’s opening moments, it is clear that this smart and heartfelt script is in very capable hands.

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Fuse Theater Review: The Wilbury Theatre Group Mashes-up Politics

September 19, 2016
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Authoritarianism is at its most chilling, at least in the theater, when everyone, the weak and the strong, takes it for granted.

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Theater Review: Nora Theatre Company’s “Marjorie Prime” — A Futuristic Misfire

September 19, 2016
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Marjorie Prime explores the complex connections generated among four family members as they attempt to make sense of grief.

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Film Commentary: The Somerville Theatre’s 70 mm Festival — When the Movies Were Really Big

September 16, 2016
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These cinematic eyefuls will rouse you from the ennui you’re feeling these days, brought on by too many binge sessions watching Netflix.

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Film Review: “In Order of Disappearance” — No Country for Cold Men

September 16, 2016
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This taut, often hilarious, thriller is a stellar example of why Scandinavian cinema continues to impress.

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