Arts Fuse Editor

CD Review: Leonard Cohen — Embracing the Darkness

October 30, 2016
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At 82, Cohen seems to feel that there isn’t a lot of time left and that he has nothing to prove to anyone.

Film Review: “Certain Women” — Mysteries of the Ordinary

October 30, 2016
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Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.

Film Review: “Aquarius” — A Woman of a Certain Age Kicks Ass

October 27, 2016
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How refreshing it is to see a female protagonist whose strength of will and character is not of the superhuman variety.

Book Review: Mark Greif’s “Against Everything” — But For Nothing?

October 25, 2016
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Mark Greif’s analyses can be sharply counter-intuitive..

Dance Review: BalletX — Fusion and Diffusion

October 24, 2016
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Ballet steps from the classroom were sprinkled in with modern dance, moonwalking, shimmies, groping duets, and any other kind of movement.

Coming Attractions: October 30 through November 8 — What Will Light Your Fire

October 23, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

Rock Interview: Talking with Brand X — After Decades, Back on Tour

October 23, 2016
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Brand X was essentially a bunch of top-flight session men who got together to blow off steam, a UK version of Weather Report.

Theater Review: “Abigail/1702” — Beat the Devil?

October 21, 2016
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Despite an appearance by Satan, this is not all that frightening a yarn for Halloween, but the MRT’s production is absorbing nonetheless.

Theater Review: Paul Zaloom’s “White Like Me” — Madman on a Mission

October 21, 2016
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It’s the wild mind of puppeteer Paul Zaloom that’s really on display here.

Theater Review: Sarah Ruhl’s “Court Life” — A Losing Match

October 20, 2016
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Sarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.

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