Arts Fuse Editor
Technology is becoming a tool for artists to mastermind aesthetic and social interventions.
Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
Giraldi was enticed by the fraternity of the gym as a way of filling out and firming up both his body and his sense of self.
Mark St. Germain’s drama is not about Cold War politics, but the question of whether a great man is (or need be) a good man.
The musical is a relentless, one hour and fifty minute excursion into the history of racial bias in America, from the cotton fields to the Civil Rights movement.
You’re not supposed to look for deep meaning in this often-revised jumbo of a ballet.
At 82, Cohen seems to feel that there isn’t a lot of time left and that he has nothing to prove to anyone.
Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.
How refreshing it is to see a female protagonist whose strength of will and character is not of the superhuman variety.
Mark Greif’s analyses can be sharply counter-intuitive..
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