Arts Fuse Editor

Book Review: “With the Radio On” — The Modern Lovers, Aptly Canonized

March 18, 2017
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Simplicity is its genius; some call “Roadrunner” the first punk song for a reason.

Theater Review: “Silent Sky” — Cosmic Wonder, Captured

March 17, 2017
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Silent Sky is a moving and thoughtful play; it is well worth the gaze of any serious theatergoer.

Film Review: The Lure — Surreal Mermaid Horror Musical

March 16, 2017
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The Lure is often violent and disturbing, but its unapologetic strangeness make it one of the most memorable foreign films in recent years.

Film Review: “My Life as a Zucchini”—A French Fable of Loss and Belonging

March 14, 2017
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Children’s connections to one another are layered and complex, and their understanding of the adult world more sophisticated than we usually allow.

Dance Review: Popcorn from BODYTRAFFIC

March 14, 2017
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BODYTRAFFIC seems to be invested in a relentless likeability.

Coming Attractions: March 19 through 28 — What Will Light Your Fire

March 13, 2017
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Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.

Theater Review: “Precious Little” — Prospecting Inner Treasures

March 11, 2017
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Nora Theatre Company’s thoughtful production of Precious Little will encourage you to dig a little deeper into yourself.

Visual Arts Commentary: The ICA — The Limits of Being an Icon

March 7, 2017
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The nagging question: why didn’t the ICA didn’t create a building that offered options to be developed vertically?

TV Review: “3 Mics”—Neal Brennan’s Innovative Stand Up

March 5, 2017
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Neal Brennan’s mix-and-match of styles manages to combine deadpan sensibility with shocking poignancy.

Dance Review: Meredith Monk — Songs With and Without Words

March 2, 2017
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Any performance of Meredith Monk’s is spare to the point of enigma, and also tremendously evocative.

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