Arts Fuse Editor
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
The communication among the group members is at a high level and the playing is flawless.
What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Dramatist Rajiv Joseph probes the gentle sides of masculinity as well as the intertwined power of beauty and terror.
Bob Brookmeyer’s great contribution was to make it seem as though anything is possible — and permissible –in the big band context.
On the occasions that Bob Weir and Phil Lesh performed as a legitimate duo the concert attained some of its more transcendent peaks.
The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.
WATCH CLOSELY: “The Exorcist” — The Devil and the Deep State
TV’s The Exorcist reinvents its source material for an occult-savvy (not to mention cinema-savvy) audience.
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