Arts Fuse Editor
Pakistani-born artist Huma Bhabha is still very much at the edge of edgy; Georgia O’Keeffe much less so.
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This mysterious dance may have no meaning at all beyond its cryptic theatricality and movement. Or it may mean a lot.
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If you’re a fan of the podcast or the magazine, you know that Arts Fuse writers are sworn adversaries of the dreaded algorithm.
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MassOpera’s updated version of Die Fledermaus pulls off a major feat.
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Crashing shows us how Holmes’s innate sweetness and affability carries him through the awkwardness and indignities of being a working comedian.
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The Wind explores the fears that beset even strong, capable women stuck struggling for survival without community or social contact.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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The series presents plausible, relatable social situations within a weird, dark, quasi-magical framework.
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It’s Shakespeare in Lowell –the stage piled with ghostly corpses, the heroes all dead, the young bard in mourning.
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Jazz Commentary: Pee Wee Russell — A Singular Voice
Despite the fact that clarinet (and occasional sax) player Pee Wee Russell was one of the most distinctive voices in jazz history, his name remains unknown outside of infra jazz circles.
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