Arts Fuse Editor

Film Review: “Framing John DeLorean” – Back to What Might Have Been the Future  

June 10, 2019
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John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.

Jazz Concert Review: Christian McBride & Tip City — Mastery and Joy

June 9, 2019
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It’s an uncommon pleasure to see band members enjoy themselves the way Tip City did.

Film Review: “The Raft” — An Illuminating Voyage

June 8, 2019
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What happens when a dubious scientific experiment yields unexpected results?

Theater Review: “The Stone” — Nobody is Innocent

June 6, 2019
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This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.

Dance Review: “Significant Others: Dances for Family, Friends and Lovers” — Through the Lens of History

June 5, 2019
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In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?

Television Review: “Deadwood: The Movie” — History’s Train Pulls into the Station

June 3, 2019
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Of course, history has not come to Deadwood to douse the smoldering embers of the past, but to supply more kindling.

Coming Attractions: June 2 through 18 — What Will Light Your Fire

June 2, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

Theater Review: “The Flamingo Kid” — An Amiable Throwback

May 30, 2019
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This new musical is charming and lively, but without some renovation its future life is in question.

WATCH CLOSELY: “Killing Eve”’s Second Season — Glamorous but Glib

May 30, 2019
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Killing Eve is a smart, funny, and often shocking exploration of the complex psychologies of women leading dangerous lives, for whom killing comes much easier than it ought to.

Film Review: “The Souvenir” — A Painful Past, Plainly Presented

May 27, 2019
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Verisimilitude is rarely a meaningful measure by which to judge a film, but The Souvenir is obsessed with exploring the line between documentary and narrative, reality and art.

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