Arts Fuse Editor
All three episodes have intriguing storylines, with plenty of human pathos and drama: but I admit to finding the first and third episodes a bit too digitally-focused for my taste.
This wide-angle richness — a world filled with things to do, myriad side-distractions — is the mark of exceptional game design.
For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.
It’s an uncommon pleasure to see band members enjoy themselves the way Tip City did.
What happens when a dubious scientific experiment yields unexpected results?
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?
Of course, history has not come to Deadwood to douse the smoldering embers of the past, but to supply more kindling.
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