Arts Fuse Editor
John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.
It’s an uncommon pleasure to see band members enjoy themselves the way Tip City did.
What happens when a dubious scientific experiment yields unexpected results?
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?
Of course, history has not come to Deadwood to douse the smoldering embers of the past, but to supply more kindling.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
This new musical is charming and lively, but without some renovation its future life is in question.
Killing Eve is a smart, funny, and often shocking exploration of the complex psychologies of women leading dangerous lives, for whom killing comes much easier than it ought to.
Verisimilitude is rarely a meaningful measure by which to judge a film, but The Souvenir is obsessed with exploring the line between documentary and narrative, reality and art.
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