Arts Fuse Editor
Fear Inoculum is not a bad album. It’s not a great album either, and Tool has made some great albums.
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The powerful quartets on The People I Love and Terra Incognita work toward locating places beyond notation where, in each moment, new vistas may emerge.
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The last half-hour or so of any Mavericks concert is usually just about the happiest place to be on the planet.
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A Screenager Star is Born?
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Colson Whitehead’s work is political in the sense that he has an incredibly keen eye for the insidious ways in which institutions and structures of power work.
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Robert Macfarlane’s ability to limn the pull between beauty and cataclysm provides a dynamism that elevates this book well above the level of simple “nature” writing.
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Nothing in this session reminds us of the age of the principals. That in itself, if not miraculous, is at least impressive.
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I’m able to pull the stick out of my ass long enough to enjoy a tribute performance when it is worthy, and the Australian Pink Floyd Show is more than that.
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Contemporary crafts in those days would have been seen as far from the ‘vanguard’ by many art critics. Yet the almost 100 works on view tell a nuanced story about the expansive spectrum of creativity.
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Visual Arts Review: Frank Lloyd Wright’s Fallingwater — Brilliance Beyond Myth
20th Century Modern Architectural Greatness
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