Arts Fuse Editor

Theater Review: A Shattering “Slave Play” Rattles Broadway  

October 15, 2019
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Jeremy O. Harris’s bold new play is wildly provocative and hysterically funny.

Blues Album Review: Jimmy “Duck” Holmes’ “Cypress Grove” — Old Fuses With New

October 11, 2019
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In Cypress Grove, Jimmy “Duck” Holmes’ deep Bentonia guitar remains pure and present, while his vocals, which have never sounded better, are solid and vibrant throughout.

Jazz Album Review: jaimie branch’s “FLY or DIE II: bird dogs of paradise” — Into the Outer Reaches

October 11, 2019
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jaimie branch knows music has to be wild and dangerous and beautiful to cut through all the distractions of our times.

Film Review: “Pain and Glory” — Almodovar’s Remembrance of Things Past

October 10, 2019
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What remains so seductive about Almodovar is the way he replicates the movement of thought, creating a seamless weave between the story moving forward — rather minimal in this case — and the richer, more luminous past.

Visual Arts Review: “Women Take the Floor” at Boston’s Museum of Fine Arts

October 4, 2019
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Had the curatorial parameters been tighter in concept, and more generous regarding the source of the work, the MFA might have produced a great, rather than just a good, exhibit. .

Visual Arts Review: Gordon Matta-Clark, Anarchitect — Anarchy + Architecture

October 4, 2019
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Brandeis’ Rose Art Museum presents a creative, insightful look at urban blight.

Rock Album Review: John Powhida International Airport — “The Bad Pilot”

October 3, 2019
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Musically, The Bad Pilot encompasses the sound and feel of everything from Philly soul to new wave, hard rock, funk, and progressive rock.

Music Commentary: Songs Ken Burns Overlooked in “Country Music”

October 2, 2019
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Country music is as rich and complex as any other genre, but given the inevitable marketing tie-ins, it might be a good time to offer the names of artists and songs that either weren’t included or were briefly touched on at best.

Dance Review: “Giselle” Now — at the Boston Ballet

October 1, 2019
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The performance I saw on Friday night revealed Boston Ballet’s priorities: while the dancers possess a high degree of technical skills, they have a looser notion of nuanced acting.

Television Review: “The Family” — Ruthlessness and Christian Piety

October 1, 2019
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The documentary sees The Family as really just a huge, secretive, and well-funded lobbying firm: separating church and state is for losers.

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