Arts Fuse Editor
Wondering where to find the best documentaries on digital platforms? Look no further.
The Bad Plus are telling stories, but the trio doesn’t seem to want to follow wherever they might lead, which narrows their music’s emotional range.
The Lighthouse generates dark humor from the madness of toxic males gone rogue — wired to dominate, even as they self-destruct.
Cyberspace begins to look like a hostile place for women, as dangerous as a frat party. Females log-on at their peril.
Liz McQuiston writes that the posters collected in her book are meant to “pay tribute to the liberating concept of hard-won ‘freedom of speech’ throughout history.”
If Castle Rock is intended to be a commentary on Trump’s not-so-great America, well, what better genre than horror to spread the angst?
This is a non-union production, and that means the actors are being paid a fraction of what they would be getting if the tour were offering performers a union contract.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Parasite’s powerful vision of the existentially downtrodden offers equal nods to Karl Marx and Fyodor Dostoyevsky.
“I wrote those poems because I think people need to read the truth and to hear the truth about romantic sensibilities between gay people.”
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