Arts Fuse Editor
Childish Gambino is hamstrung by ambition, but 3.15.20 still contains a bevy of enjoyable songs, including one or two tracks that brush against brilliance.
August is funny in a way — over time its small scale rhythms and monosyllabic reactions generate a comforting beauty that settles in.
When I think of Bill Withers I think of just three handclaps. It’s my favorite example in his music, or just about anyone else’s, of the power of restraint — not slamming and flailing about to shift a groove into overdrive.
Musicians Aaron Halford and Matty Michna describe their journeys to Boston and ponders their futures beyond The Hub.
What’s so appealing about Tiger King? Perhaps it is that the lurid goings-on are so distinctively American.
Bob Dylan’s new song not only articulates the madness that undermines the American experience, but supplies a certain kind of corrective, a tonic, for that kind of insanity.
By so memorably reestablishing the fundamentals of urban design and planning, The Art of Classic Planning will be a strategic addition to any architecture or urban planning library.
An 1829 opera about Elizabeth I and her supposed lover — enlivened by underhanded threats, virtuous resistance, remorse, and an attempted poisoning — proves well worth reviving.
Vivarium offers such a completely well-thought out narrative that it hardly matters whether we are dealing with magic realism or a satirical fable.
Andrew Child pictures the candidates riding a skateboard, each in a slightly different pose and dressed in slightly different cool gear.
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