Arts Fuse Editor
Every piece here seems to play by its own rhythmic rules, and yet nowhere does the music sound academic or formal.
Freed from the pressures of recording for a major label, Kacy Hill has created an album that feels surprisingly personal.
If the first set was all about reminding us the breadth and depth of the talent in Billy Strings’ combo, the second set was all about dynamics and power.
Roy Cohn was much more pernicious than Joe McCarthy because he was far more adept at undercutting the relevance of so-called American values.
These days, I worry that David Mitchell is losing touch with reality.
To its credit, this “true crime” documentary treats the tragedy of each victim with empathy and respect.
Kudos to Jacob’s Pillow for this stellar beginning to a digital season of dance.
Now that the real live boy is an old man, how’s he holding up in 2020?
Relic draws on the debilitations of both time and space: the inevitable aging of the body and the places we call home, the inescapable repositories of memories, regrets, and the unknown.
Arts Commentary: Reviewing Music, Re-viewed
Our opera-loving reviewer contrasts his own pieces, written 48 years apart, on the same Offenbach operetta.
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