Arts Fuse Editor
Antônio Carlos Gomes’s Lo Schiavo (The Slave) receives its first major recording — and stakes its claim in the repertory.
Feels Good Man is a provocative, entertaining, and moving documentary about an artist trying to retain his identity along with the innocence of the cartoon character he created.
Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
Humankind, at the very least, compels us to rethink fashionably pessimistic assumptions about human nature.
For some reason, Aggretsuko riffs on Japanese idols in its third season, and the shift makes the show less appealing.
A Mother Cow of jazz iconoclasts takes on German lieder, because why not?
Down in the Weeds, Where the World Once Was is a natural next step forward for Bright Eyes, evolving while remaining true to their core identity.
If we factor in the triple-size oversell crowd, the bad drugs circulating, and the home field advantage, there was plenty there to inspire The Stooges to raise some merry hell.
You may not know what you’re feeling or what to think about what you’ve seen afterward. This is a rare experience in cinema to be savored, or at the very least highly valued.
In wrapping up Fantasia, I focused on The Five Rules of Success, Come True, and The Dark and the Wicked, three ambitious genre titles that have stuck with me long since their credits rolled.
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