Arts Fuse Editor
Filled with galoots of all kinds, the novel might not have any true reason for existing, nor may it have any reason to end. But heck, it’s a good, old-fashioned, medicine show of a read.
In the end, The Trial of the Chicago 7 strikes a reasonable balance between historical document and cinematic art.
It’s as if Moshfegh is testing the furthest limits of a “red herring”: what if everything is red and everything is herring?
Swamp Thing is downright ornery, at times questioning political and corporate power as well as environmental protections.
Belushi is a warts-and-all look at one of comedy’s raging bulls.
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
The 1979 documentary Town Bloody Hall is a time tunnel passageway into what stand-up comedians used to call “women’s lib.” It is still liable to raise a gendered ruckus — and provide a rollicking good time.
As amusing and informative as The Joe Rogan Experience can be, a few podcast interviews doth not an actual education make.
A trio of new ballet books offer messages of inclusion and acceptance that both celebrate ballet and acknowledge some of its problems.
Dance Review/Commentary: “The Grand Union” — The Story of the Accidental Anarchists of Downtown Dance
This fascinating book, and the rich literature of films and writings around it, have helped me feel a bit more positive about these shrunken times.
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