Arts Fuse Editor
Book Review: “Nobody Ever Asked Me About the Girls” — A Disappointing Look at Women, Music, and Fame
Journalist Lisa Robinson deconstructed the idea of the girl who could hang with the guys (and laugh off their casual misogyny) long before Gillian Flynn immortalized the Cool Girl in Gone Girl.
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Peter Wortsman has made a valuable contribution with this play; it is a rare theatrical account about how living through the Holocaust shaped survivors.
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Hub Theatre’s virtual production of Much Ado About Nothing recognizes Zoom’s potential for farce and leans into it: this is a rollicking delight of a show that refuses to take itself seriously, to everyone’s benefit.
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Bill Irwin’s homage to Samuel Beckett explores what makes the writer so fascinating, even inspiring, for those who appreciate the knockabout beauty of his despair.
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This is history from a distance. Harris’s characters feel more real when they’re working out the equations that will make a missile fly or fall than when they’re fleeing a double agent or a misfiring rocket.
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A trio of recordings help us rethink and rehear composers as varied as Barbara Strozzi (from the seventeenth century), Chopin, and Mahler.
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Now that ¾ of the Yellowjackets are eligible for Social Security, the emphasis is more on confirming a legacy of creative compositions and expanding their art of arranging with a broader range of colors.
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Host Deanna Costa virtually meets with country musician Teagan Stewart to chat about her latest EP, Taste of My Heartbreak.
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Every exquisitely crafted line reflects the pull of a threatening body politic, the gravitational force of history.
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Metropolitan Opera stars Ildebrando d’Arcangelo and Liudmyla Monastyrska headline a new recording that reveals Verdi operatic mastery five years before Rigoletto.
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