Arts Fuse Editor
This history of union activity among white-collar workers in New York City tells an illuminating story about creative labor’s effort to be treated with respect by the powerful.
Boston’s Fred Taylor was by turns (and often simultaneously) a recording engineer, promo man, artist manager, talent scout, press agent, newspaper columnist, concert promoter, club manager, nightclub owner, restaurant, and movie house owner.
This is a well-rounded session of disciplined, well-crafted composing and soloing, with established and up-and-coming players mixing it up with style and commitment.
Though the cast is generally excellent, Stephen King’s characters are often at the mercy of wrongheaded writing or needlessly flashy special effects.
Steeped in technology, non-traditional public art is about sparking conversations about visuals as well as playing with contemporary aesthetic perspectives.
Burning the Books sometimes turns into a disturbing chronicle of mankind’s elemental hostility to learning: barbarians often first targeted libraries and archives.
Over six decades Norman Mailer managed, by turns, to engage and enrage and stir the zeitgeist’s pot.
World premiere recording of an utterly delicious 1872 comic opera, recorded without spoken dialogue, so you can just revel in the music and the singing.
Philip Glass’s librettist Arthur Yorinks offers his thoughts on whether and how to update an opera as the Boston Lyric Opera releases its revamped and filmed version of The Fall of the House of Usher.
Films like Breaking Fast introduce audiences to cultures that they may not be familiar with — that they may even be hostile to — but through conflicts and dreams that are universal, that revolve around family, love, and friendship.
Recent Comments