Arts Fuse Editor
Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
On Welfare Jazz, Viagra Boys succeed through their skillful manipulation of pure bombast, spurred on by haywire grooves as well as plenty of oversized personality.
An intriguing look at smashing the patriarchy through the art of pole dancing.
The Cameraman is the hilarious capstone to a glorious period that began for Buster Keaton in the late teens.
This splendid world-premiere recording proves that, as an opera composer, Johann Simon Mayr had “the whole package.”
In Supernova, nuance rules: Stanley Tucci and Colin Firth bring a naturalistic grace to the voice and energy of their aging characters
Daniel Tiger’s Neighborhood has become one of our central gospels of child-rearing.
This history of union activity among white-collar workers in New York City tells an illuminating story about creative labor’s effort to be treated with respect by the powerful.
Boston’s Fred Taylor was by turns (and often simultaneously) a recording engineer, promo man, artist manager, talent scout, press agent, newspaper columnist, concert promoter, club manager, nightclub owner, restaurant, and movie house owner.
This is a well-rounded session of disciplined, well-crafted composing and soloing, with established and up-and-coming players mixing it up with style and commitment.
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