Arts Fuse Editor
It is difficult to think of a harder-working actor or one more devoted to his craft.
The excitement of these films – perhaps the word frisson would not be amiss – is that these women are envisioned as explorers in the land of Eros, map-makers of new terrain, discovering and inventing love as they go.
Full Dissidence is not just about the corruption of professional sports. It is a fierce polemic that will alter the way you look at America.
What we need is to see the world through the eyes of Black activists, even though that might be frightening to White audiences reluctant to deal with the unmediated truth.
Croatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.
Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
On Welfare Jazz, Viagra Boys succeed through their skillful manipulation of pure bombast, spurred on by haywire grooves as well as plenty of oversized personality.
An intriguing look at smashing the patriarchy through the art of pole dancing.
The Cameraman is the hilarious capstone to a glorious period that began for Buster Keaton in the late teens.
Visual Arts Commentary: Preservation, Two Cases of To Be or Not to Be
Today’s increasingly heated argument about architectural preservation revolves around discerning which pieces of the past are worth saving, which buildings are valuable to our present and future.
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