Debra Cash

Fuse Book Review: “The Woman Reader” — The Sounds of Silence

September 8, 2012
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In the encyclopedic, fascinating, and intermittently infuriating “The Woman Reader,” author Belinda Jack argues that we should not fear the battle between paper vs. pixels, but value reading and the ways it nourishes a woman’s inner life.

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Arts Remembrance: The Man Who Colored Outside the Lines — An Appreciation of Remy Charlip, 1929-2012

August 17, 2012
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The late Remy Charlip always crossed from the visual to the kinetic and back again.

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Dance Commentary: In Short Order

July 3, 2012
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None of the Boston Dances Made to Order submissions dodged dance-on-camera cliches. There was a lot random dancing outdoors, body parts — especially hands and feet — shot in close-up, and random objects (mirrors, food) revealed by camera pans.

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Dance Commentary: Let’s Go iDancing

July 1, 2012
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This is the first of a series of occasional essays where Fuse Dance Critic Debra Cash will reflect on dances made for camera and new technologies. As they used to say, don’t touch that dial!

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Book Review: Hey Look Me Over — “Just My Type”

May 16, 2012
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Simon Garfield’s tour of fonts, Just My Type, is a rollicking, sometimes snarky social history of the design decisions behind lettering from Gutenberg to the iPad.

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Dance/Movie Review: The Passing Parade — A Film about the Joffrey Ballet

May 10, 2012
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The new documentary, derails, partly because its hagiographic tone encourages elisions that beg important questions.

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Dance Review: “Story/Time” — A Serving of Meta from Bill T. Jones

March 19, 2012
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Literally seating himself under a spotlight at the center of the stage, celebrated choreographer Bill T. Jones indulged in a celebrity interview with himself, sharing moving and mundane autobiographical anecdotes while his company danced in abstract arrangements around his desk for exactly 70 minutes.

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Music Feature: Follow the Lieder — Discovering Lazar Weiner’s Yiddish Art Song

March 8, 2012
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When the Boston Jewish Music Festival presented a special afternoon of Lazar Weiner’s Yiddish Art Songs, it became clear that it’s time for a reappraisal that will bring these small, intense gems back into broader musical circulation.

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Theater Review: Baby, It’s Cold Outside

February 8, 2012
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“69°S” takes risks that never put actual life or limb in danger, but under the static of snow and history, we learn that venturing to the edge is always a kind of art.

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Arts Remembrace: Remembering Adrienne Cooper

December 28, 2011
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Adrienne Cooper’s strong voice –- musically, linguistically and as a vibrant feminist presence –- shaped the revival of klezmer music in the 1980s and beyond, but her legacy is diffuse.

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