Debra Cash

Music Feature: Celebrity Series’ Street Pianos Make for Sunny Days

October 4, 2013
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Mother Nature likes pianos.

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Theater Preview: When Puppets Go Hungry

September 29, 2013
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Hunger is hunger but each hungry person experiences it in his or her own way. That insight is at the heart of the remarkable, socially engaged toy theater production Who’s Hungry.

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Dance News: The Launch of Moving Target

September 12, 2013
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Moving Target has announced a series of Saturday afternoon workshops featuring a remarkable series of guest teachers at Cambridge’s Green Street Studios.

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Fuse Coming Attractions: Dance Highlights, Sept 12 through 15

September 10, 2013
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Fuse Dance Critic Debra Cash on what’s coming up in dance this week.

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Poetry Review: Imagine — Yoko Ono Plants an “Acorn”

August 21, 2013
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Yoko Ono has always been the kind of artist more interested in getting into your head than convincing you to occupy hers.

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Visual Arts Review: Heigh-Ho — Walt Disney’s “Snow White” at the Rockwell Museum

August 18, 2013
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In four jam-packed rooms, in paper, acetate, and select video sequences, Snow White and The Seven Dwarfs: The Creation of a Classic deconstructs the film’s artistic and technical achievement.

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Dance Review: Crackling Out The Blues

July 28, 2013
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This is Michelle Dorrance’s break out year, or perhaps more accurately the year people outside the intimate tap community got to know her by sight and reputation.

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Dance News: Preview of a Magnetic Dance

July 17, 2013
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On Friday, three experimental artists offer a sneak peek at their work together to date, with the addition to excepts from more finished pieces.

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Fuse News: The Fire Next Time — Quilting Memory

July 16, 2013
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Art helps keep the horrors in sight, so if you’re in the Berkshires July 16 through 27, it will be well worth the trip to visit the Lenox Public Library and stand witness to Robin Berson’s memorial quilt.

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Dance Review: Brooking Challenges

July 12, 2013
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Instability is key to Brian Brooks’ choreographic agenda. Some of the dancers crouch on their hands and feet and are transformed into slow-moving mounts for the dancers balancing on their backs.

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