David Greenham
James Ijames’s funny, moving family fable receives an engaging New England premiere, but its comforts also raise questions about what local theater should risk in a moment of public crisis.
This crisp revival turns emotional recoil, backward chronology, and elegant restraint into a sharp study of infidelity.
Sharon Rothstein’s sharp drama shifts the focus from censorship to the corrosive culture of public shaming.
Gabriel Graetz and Paul Melendy power Charles Ludlam’s camp classic, even as a stripped-down design leaves some comic potential untapped.
A renovated and flexible performance space with unlimited free parking is what every theater company from Boston to Portland dreams of.
In his speculative play “The Antiquities,” dramatist Jordan Harrison has no trouble envisioning earthlings in the post-human age.
Is anyone surprised that playwrights like Kearnan are creating works that show us women who are resourceful — and ready to fight back against their oppressors?
A new year is beginning, so it is as good a time as any to check in with a few actors with Boston roots or performance experience, to explore what it means to pursue the dream of being an actor in 2026.
The 2025 version of the Revels once again fills historic Sanders Theatre with comedy and music, while at the same time encouraging us to reflect on the things that are important in life — family, love, and the peaceful solitude of a cold winter’s night.
“Summer, 1976” is a cleverly designed snapshot of a deep but fleeting friendship.
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