David Greenham
“The Half-God of Rainfall” is a challenging journey relayed in a memorable production that will resonate with you for a long time.
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All in all,Tall Tales from Blackburn Tavern is an entertaining look at the things that went bump in the night in Gloucester.
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There are powerful moments in “The Jump Shot,” particularly those that explore the psychological impact of COVID on our minds and lives.
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In this script, dramatist Martyna Majok has created an opportunity for those who live in (or near) cities to see and hear the struggles of the underclass.
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Perhaps what’s most fascinating here is proof that Brenda Withers’ play has an evergreen quality to it. “The Ding Dongs” may prove to be prophetic.
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Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
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This American Repertory Theatre co-production gets so many of “Evita”‘s elements right — now all it needs is the musical’s combative soul.
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This pared-down staging of Tony Kushner’s 30 year-old masterpiece invites some reflection, even a kind of nostalgia. But blazing through — with seraphic force — is the harsh reality of how insane we have become.
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This is an immigrant story that we’ve heard over and over again. Still, despite its familiarity, this particular quest for the American Dream — told in a wonderful and often funny mix of Spanish and English — is compelling and interesting.
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