Brooks Geiken
This is my kind of music, a tight latin jazz outfit that embraces great horn charts and explosive percussion.
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Throughout this superb live album, percussionist Gustavo Cortiñas allows his fellow band members an enormous amount of space, and that is welcome because of their high level of musicianship.
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A death is routinely at the center of Claudia Piñeiro’s fiction, but the corpse sparks provocative questions about the way things are, not just an investigation into finding the murderer.
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Big band leader Arturo O’Farrill points out that “Santiago Brooklyn Santiago” makes a forceful argument that the embargo between Cuba and the United States should be done away with.
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Dead Men Cast No Shadows is an enormously entertaining novel about responses to perfidy in high places by one of the most prominent writers in the Spanish-speaking world.
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System 6 is an adventurous contemporary ensemble whose music will appeal to lovers of the free jazz movement of the ’60s.
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Until this album, I had no idea that the Grateful Dead and salsa could blend together with such force and fun.
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These superb recordings provide ample proof that Oscar Hernández is at the pinnacle of his career as the leader of two divergent musical aggregations.
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