Bill Marx
This uncomplicated version of Shakespeare’s tragedy comes off as a rousing tale of murder under a starlit Boston sky that obligingly lights Macbeth’s “black and deep desires.”
Read MoreAnna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
Read MoreIn the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
Read MoreThe Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreOver the years I have seen several productions of Coriolanus, and this one is by far the most perfunctory.
Read MoreEach month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Arts Commentary/Interview: Some Thoughts on The Climate Crisis and Theater
How can we create theater that practices critique and empathy in relation to climate change that simultaneously challenges and lifts us, provokes and provides a muscular hope?
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