Judging by the trailer for The Great Gatsby, it looks as if director Baz Luhrmann’s habitual excess will overwhelm the lyrical beauty and subtle power of F. Scott Fitzgerald’s prose.
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In spare, exact prose Cristian Comencini lets this story unfold against an Alpine setting that is so vivid it, too, becomes a character in this strangely compelling novel.
“The O’Briens” is a good sink-your-teeth-into read that explores the capricious nature of destiny with grace and humor and shows great compassion for its characters.
In “Gatz,” F Scott Fitzgerald’s words come at the audience like bullets because they are so relevant to so much of American life today. And create the kind of catharsis, that peculiar combination of pity and fear, that is the mark of truly great theater.
A strange mix of characters who all have complicated pasts gives rise to a novel that blossoms — exactly as a flower does — into a complex drama that includes several points of view and a wide range of emotions.
Some fiction can, literally, have the smell of too much research. And so, although I admire the ambition and scope of Audrey Schulman’s new novel, “Three Weeks in December,” I also feel that she made things harder for herself than she needed to.
The novel is a brilliant psychological thriller, and several other things as well — a very quiet love story, a narrative of a remarkable friendship between two men, and an exploration of the corruption rampant in Argentine politics in the late 60s and 70s.
Wondering about what to give the arts and culture lover on your gift list? No problem — the sage writers for The Arts Fuse (with an assist from our readers) come to the rescue with thoughtful suggestions.
Although he has set himself an ambitious task with all that is happening in “The List,” Martin Fletcher has complete command of this material and has created a complex novel that is also a good thriller.
In this novel, author Ismet Prcic’s confusion is so vivid that it becomes ours, making us participants in the story.