In the end, Philip Roth produced the greatest body of work in the 20th century since William Faulkner and Saul Bellow and I.B. Singer.
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Sometimes Pharoah Sanders came back and played like a primordial saxophone deity, cutting into the rhythm section like an act of penetration.
Schutt’s is an example of the kind of fiction that is being taken seriously in too many quarters in this new century, but that is not nearly good enough.
The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
There is much to love in this Lyric Stage Company production and I recommend it highly.
To mark the hundredth birthday of Charlotte Salomon, who is emerging as one of the 20th century’s great artists, come two fabulous volumes dedicated to her work.
This superb volume is much more than a group of essays; it is a tale with a trajectory fashioned by a writer who is determined to be achingly honest.
Nothing could be more necessary at this point in time than this book.
Spiro Veloudos and his talented cast has given us an evening in the theater when all that makes us human comes to the fore.
The biography offers a fascinating look at Frances Coke Villiers’s tale of rebellion, the plight of a memorable woman during a tumultuous time.