Roberta Silman’s engaging and deeply felt novel is a reminder of what it means to carry a historical burden on both a personal and national level.
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If you love fiction you should devote several hours to watching Hemingway. Ken Burns and Lynn Novick have brought a special tenderness to this series, something deeper and more compelling than previous Burns documentaries.
This is a great work, more linear than Tom Stoppard’s earlier dramas, yet filled with such intelligence and compassion that it will be read and seen for years and years and, perhaps, over time be regarded as his richest, most haunting play.
What a pleasure it is to revel in this work, which expresses enduring values in such an original way.
Although some of Apeirogon is painful, this novel can inspire you to think differently and even to act, which is surely welcome after this horrible year in which we have all felt so helpless.
An eclectic round-up of the favorite books of the year from our critics.
What Ayad Akhtar reveals, with stunning detail and a passion and an urgency rarely seen in American fiction, is that his is a story marked by a loneliness similar to that found in Melville, Dreiser, and T.S. Eliot, among others, and that puts him squarely in their company.
I hope this centennial will inspire readers to immerse themselves in this enormously important, rich, and vibrant work.
Exuberant is the right word for A.B. Yehoshua’s new novel, not only because of the story’s pile up of characters and events, but also for its prose.
Invisible Years is — simultaneously — an indispensable source and a distinguished work of art.