Month: March 2017
Mavis Staples’ colossal voice fully blanketed the entire venue and tucked its way into every nook and cranny.
Read MoreThis is an old story, but the approach this time around is fresh, the acting uniformly excellent, and the pacing just right.
Read MoreNo orchestra in this country embraces the challenges of Charles Wuorinen’s hyper-intellectual style better than the Boston Symphony Orchestra.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreA historian’s view of the tumultuous world of early sixteenth century Europe, an age of exploration, revolt, and religious upheaval.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThere have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.
Read MoreChill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.
Read MoreThere are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.
Read MoreQuestioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio