BOSTON'S PREMIER ONLINE ARTS MAGAZINE
The anti-cinema, represented by CGI, obliterates perception; it is not interested in tutoring the eye to see more deeply.
In his best screenplays, Graham Greene explored the idea of the protagonist as anti-hero well before it became a popular trope in the 1950s and ’60s.
Music Commentary: A Mystery Solved on the 50th Anniversary of the Release of “Queen II”