Jessie Montgomery’s Rounds is a testament to her impressive compositional chops. Let’s have more from her here, and often.
The Boston Symphony Orchestra
Concert Review: Kirill Gerstein and the Boston Symphony Orchestra/Thomas Adés
With “In Seven Days,” Thomas Adés seems to have developed a musical language that’s complex yet not forbidding: there’s no sense that his music is weighed down by expectations of the past, even as he freely refers to archaic compositional forms.
Classical Concert Review: Emmanuel Ax and the Boston Symphony Orchestra/Jaap van Zweden at Symphony Hall
To judge from the all-around energetic playing of the BSO, it seems conductor Jaap van Zweden has struck a good rapport with the players and I, for one, look forward to hearing more from him in coming seasons.
Classical Music Review: A Mixed Score for BSO’s “UnderScore Friday”
It’s very difficult to lure new audiences into the concert hall in most parts of the United States, hard to find useful introductions to pieces of classical music and hard to judge from the reaction of UnderScore concertgoers whether they were pleased with their experience. I applaud the BSO’s initiative. UnderScore Friday. Presented by the […]
Classical Music Sampler: December 2009
By Caldwell Titcomb Dec. 1: The Tufts Early Music Ensemble, including singers and instrumentalists, will present a free concert of secular music by the great 15th-century composer Guillaume Dufay and his contemporaries, whom we rarely get to hear in live performance. Distler Performance Hall, Granoff Music Center, Tufts University, 8 p.m.