SpeakEasy Stage Company
The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
It is refreshing to encounter a script that is so determined to keep audiences off-kilter as it goes about undercutting domestic business as usual.
It shouldn’t be surprising that Heroes of the Fourth Turning is monotonously ironic. No happy warriors for Christ here.
As National Pride Month begins, The Inheritance is a powerful way to honor and remember the impossible journey so many have taken to win the right to simply be themselves in public.
This staging is a reminder that theater magic is fickle and time-bound — it’s hard to dependably catch lightning in a bottle.
People, Places & Things memorably tackles the insidiousness of addiction.
BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters
A hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
An exciting, subversive idea animates TJ Loves Sally 4 Ever.
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