Renée Fleming
Kevin Puts’s mesmerizing song cycle probes the passion, loss, and resignation in the relationship between the artists Georgia O’Keeffe and Alfred Stieglitz.
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When the front page of the newspaper is getting me down, I can feel at least somewhat buoyed by remembering that we live in a world that can produce such profoundly touching and empathetic works of art as Kevin Puts’s “The Hours”.
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It is always a thrill to be in the audience when the legendary American soprano Renée Fleming performs.
Read MoreIt is unlikely that any other BSO concert this year will top Thursday night’s performance of Richard Strauss’s opera Der Rosenkavalier.
Read MoreThe Emerson String Quartet and Renée Fleming team up for one of the finest recordings of the year.
Read MoreIncomparable opera diva Renée Fleming makes her debut as a stage actress — playing an impossible opera diva — in playwright Joe DiPietro’s sliver of a comedy Living on Love.
Read MoreIn an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.
Read MoreBy Caldwell Titcomb Feb. 3, 5, 6: The Boston Lyric Opera (BLO) stages Benjamin Britten’s “Turn of the Screw,” based on Henry James’ tense ghost story. Conducted by Andrew Bisantz. The singers and production staff are all making their BLO debuts. The Castle at Boston Park Plaza & Towers, 130 Columbus Avenue, Boston. 7:30 p.m.
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