Ralph P. Locke
A delightful and compact opera — from a generation before Mozart — that cuts various social types down to size.
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A trio of recordings help us rethink and rehear composers as varied as Barbara Strozzi (from the seventeenth century), Chopin, and Mahler.
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Metropolitan Opera stars Ildebrando d’Arcangelo and Liudmyla Monastyrska headline a new recording that reveals Verdi operatic mastery five years before Rigoletto.
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Concert halls and opera houses remain closed — but unusual musical experiences await in this era of social isolation.
Read MoreOpera Review: Paisiello’s “Le gare generose” — Italians, Quakers, and Slavery in 18th-century Boston
The lively world-premiere recording of Giovanni Paisiello’s Le gare generose proves why the composer was in demand all across Europe.
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Coming soon to your computer or cellphone: The Boston Camerata launches a bold staged performance of Purcell’s pathbreaking opera, but in a way that keeps its cast and audience safe.
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Telemann’s music here is a delight, often resembling, in style, appeal, and high craftmanship, what we find in Handel’s operas and oratorios.
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Bravo to the Bru Zane folks for this latest triumph! I encourage opera lovers to get to know this treasurable Spanish (or faux-Spanish) work by the pioneering master of nineteenth-century operetta.
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Agrippina (1709), an enormous hit at the Met this past season, proves, by turns, gripping, sardonic, and exquisite.
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A world-star soprano, in her magnificent prime at age 36, offers her first recital CD, and you can participate in its online “launch.”
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Arts Commentary: Rich in Creativity — But Nothing Else