Peg Aloi
All of Shirkers demonstrates the wonderfulness of making cinema. I Am Not a Witch dramatizes the mystery and solidarity of accused witches.
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Indie filmmaker Josephine Decker creates a brilliant showcase for Helena Howard, whose performance is electrifying.
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The film is full of salacious details from Hollywood’s heyday, but it is also a tender look at an elderly man whose current existence would be seen by many as difficult.
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Dark is not a German version of Stranger Things; its historical vision is distinctive.
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Nico, 1988 lays bare the ravaged body and brooding soul of a woman who may yet be remembered as among the most iconic musicians of the twentieth century.
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The most compelling reason to tune into this series is the superb cast, led by Hugh Grant and Ben Whishaw.
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A prescient work that introduces themes and imagery (particularly youth, nostalgia and urban angst) that have become central to Olivier Assayas’ oeuvre.
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Viewers who have endured abusive domestic family situations may find their throats swelling, their hearts thudding, and their hands shaking.
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Fleabag is a clever, frenetic and coolly smart series, balancing humor with an increasingly dark intensity.
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Remembrance: Burt Reynolds — A Manly, Funny, and Prolific Actor
Burt Reynolds was appealing primarily because one always knew what to expect from him: sex appeal, charm, humor, and a manly warmth that permeated every part he played.
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