Paul Dervis
Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.
Divided into three acts and an epilogue, the film attempts to generate Shakespearean resonances, but the presentation is more mundane than tragic.
Philippe Petit’s feat has inspired an amazing documentary, and now an amazing feature film.
Complex and nuanced, Breathe thankfully owes little to our current assembly line of teen angst flicks.
This modest film manages to hold the viewer’s attention, not to mention his or her compassion, throughout.
Rarely is an actor so completely miscast in such a pivotal role.
is one high-energy spectacle: it is far more of a performance art piece than a ‘well made’ play.
From the opening moment of this show, suspension of disbelief flies out the window and never returns.
Love and Money is a short play, lengthened beyond one-act duration by stuffing a Cole Porter interlude into its middle.’
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