Nicholas Phan
Nico Muhly’s writing in Stranger is of a type of post-Minimalism: often pulsing (or undulating) and rhythmically driven, though anything but harmonically simplistic.
Read MoreTenor Nicholas Phan’s performance will surely be among the finest I’ll hear in the year to come.
Read MoreIt occurred to me that, given the variety of the Metropolitan Opera’s current problems, maybe General Manager Peter Gelb should consider putting this best of all possible Candides on his menu.
Read MoreTenor Nicholas Phan and pianist Myra Huang are a superb duo, and the pair’s recital was easily one of the highlights of this year’s concert season.
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