Netflix
After rewatching What Did Jack Do? a few times, I still don’t really know what the hell I saw. But I decided that I don’t care, because I kept laughing my ass off anyway.
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Marianne is one of the slickest horror series I’ve seen on Netflix.
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If, like me, you tend to see laughter as a form of catharsis then a serious question is raised: is laughing at nihilistic humor all that healthy?
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Aziz Ansari does get laughs throughout his set, but the tone of Right Now begins and ends on a note of sobriety.
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The series presents plausible, relatable social situations within a weird, dark, quasi-magical framework.
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What is admirable about Conversations with a Killer is that it is as compelling an exploration of the monster’s victims as it is of Ted Bundy.
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One of the key reasons that Sex Education works is due to its frank depictions of what sex, or lack thereof, is actually like in high school.
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Shtisel offers a humane glimpse into the lives of people who would normally be shrouded from me by all sorts of religious and political barriers.
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The Other Side of the Wind may inspire brooding melancholy in some, but it’s also pretty damned fine.
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Film Commentary: A Critical Dichotomy — Time to Resolve It
It’s as if critics of silent films were barred from discussing talkies, or devotees of black and white were banned from discussing color.
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