Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.
Jackie suggests that, whatever the White House may see in the future, her magic will still be felt in its opulent halls.
Who can complain of ten days on the Lido, by the Adriatic Sea?
Natalie Portman turned Israeli author Amos Oz’s extraordinary memoir of 1940s Jerusalem into a superb film,
Black Swan isn’t about surpassing ordinary limits. It’s a film about a masochist seen through the eyes of a sadist. The film could be a textbook demonstration of what academics refer to as the male gaze—with a pretty young thing poked and dismembered under a misogynist lens. By Debra Cash Darren Aronofsky has said that […]