Mary Paula Hunter
We were reminded of how difficult it is to create an evening-length’s choreography without a storyline, musical structure, or a well-developed concept
Read MoreThe WTG production succeeds largely because it heightens the absurdity of a play that takes a comic look at catastrophe.
Read MorePerhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
Read MoreA quartet of critics serve up the highlights in dance for 2017.
Read MoreWhat we don’t know about the brain and the heart drives this at times unwieldy, yet ultimately satisfying, theatrical work.
Read MoreA festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Read MoreFaye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
Read MoreWilbury Theatre proves that an arts organization can grow while pushing an experimental agenda.
Read MoreLope de Vega’s classic story of how the powerless stood up to authority — and won –deserves better treatment than clumsy caricature.
Read MoreThis thoroughly cockamamy world offers the kind of guilty pleasure that you hope never ends.
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