Mark Favermann
With this one project, Boston has gone from a public art also-ran community to a serious cultural player.
Read MoreIn an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
Read MoreRejecting unadorned box-like designs, Michael Graves created with patterns, textures, decorations and color in ways large and small.
Read MoreOtto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.
Read MoreAt their best, the exhibitions at the restored, renovated, and expanded Cooper-Hewitt Museum explore the history and culture of design and decorative arts with transcendent panache.
Read MorePlanes, Trains, and Automobiles at the MFA is a delightful exhibition dedicated to vehicular speed, mobility, style, and joy.
Read MoreStarchitect Renzo Piano and his team did very well given their constraints. It is damn hard to build the right frame for so much abundant beauty.
Read MoreWith Color Crossing, Kate Gilbert wanted to showcase “the collision between sights and sounds that make Downtown Crossing so vibrant.”
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Fuse Visual Arts Commentary: The Lawn on D — A New Park Paradigm in South Boston
The Lawn on D is a breath of fresh cultural air in Boston.
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