Mariss Jansons’ ultimate performance, taped live at Carnegie Hall, shows the maestro at the top of his game; François-Xavier Roth’s new recording of pieces by Ravel and Debussy is a bit of a hit-or-miss affair; Diana Damrau’s Tudor Queens, a survey of heroines from three Donizetti operas, is nothing short of terrific.
Mariss Jansons
Classical CD Reviews: Ádám Fischer conducts Mahler, Mariss Jansons conducts Rodion Shchedrin & Respighi, and John Eliot Gardiner conducts Schumann
Ádám Fischer’s reading of Mahler’s Eighth Symphony is breathtakingly clean.
Classical Album Reviews: Andris Nelsons’ CBSO Recordings, and Mariss Jansons’ SACD Recordings
A collection that provides a fascinating bit of context for how Andris Nelsons has developed as a conductor over the last decade-plus, and an honest, mostly flattering, tribute to a much-loved conductor, the late Mariss Jansons.
Classical CD Reviews: George Li plays Tchaikovsky, Jansons conducts Shostakovich, and Andris Nelsons conducts BSO premieres
Terrific, fiery playing from George Li, one of the most compelling young pianists on the scene; Mariss Jansons’ recording of Shostakovich’s Tenth trudges from start to finish; irrefutable proof of Andris Nelsons’ excellence as a new-music conductor.
Classical CD Reviews: François-Xavier Roth conducts Mahler, Mariss Jansons conducts Schumann & Schubert, and Daniel Lippel plays Steve Reich
François-Xavier Roth’s Mahler offers plenty of personality and ideas; there’s nothing on Mariss Jansons’ disc that’s really worth your time; guitarist Daniel Lippel draws out Steve Reich’s lyrical qualities.
Classical CD Reviews: Handel’s Water Music and the Vienna Philharmonic’s 2016 New Year’s Concert
Nobody, these days, plays the music of the Strauss family better than the Vienna Philharmonic Orchestra.