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Marie-Hélène Estienne

Theater Review: “The Prisoner” — A Parable, Incomplete

Peter Brook has decided to be more than a little stubbornly anti-theatrical in The Prisoner.

By: Bill Marx Filed Under: Featured, Review, Theater Tagged: Marie-Hélène Estienne, Peter Book, The Prisoner, Yale Repertory Theatre

Coming Attractions in Theater: March 2011

An exciting month, and that isn’t hyperbole. A couple of North American premieres: a futuristic opera from MIT’s Tod Machover and poet Robert Pinsky and a drama tweaking The New Testament from Howard Brenton. Toss in iconic director Peter Brook staging Beckett, F. Murray Abraham as Shylock, and Car Talk:The Musical and you are talking about taking out the smelling salts

By: Bill Marx Filed Under: Coming Attractions, Opera, Theater Tagged: American Repertory Theater, ArtsEmerson, Bear Patrol, Book of Days, Car Talk: The Musical, Click and Clack, Come and Go, Danny Boyle, Darko Tresnjak, Death and the Powers:The Robots' Opera, Diane Paulus, Educating Rita, Elevator Repair Service, F. Murray Abraham, Fragmens, Frankenstein, Howard Benson, Huntington-Theatre-Company, John J. King, Karole-Armitage, Lanford Wilson, Marie-Hélène Estienne, Merrimack Repertory Theatre, Modern Theatre, National Theatre Live, Neil-Labute, Neither, Nick Dear, NPR, NT Live, Opera, Paul, Peter Brook, Poetry, Ray and Tom Magliozzi, Reasons to Be Pretty, Robert Pinsky, Rockaby, Rough for Theatre I, samuel-beckett, Seth Rozin, Shylock, SpeakEasy Stage Company, Stoneham Theatre, The Gamm Theatre, The Merchant of Venice, The Rimers of Eldritch, The Select (The Sun Also Rises), Theatre for a New Audience, Tod Machover, Two Jews Walk Into a War .., Vaquero Playground, Wesley Savick, Weylin Symes, William-Shakespeare, Willy Russell

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