Marcia B. Siegel
Community is what I miss most of all the pandemic’s deprivations—doing stuff with others.
The film allowed me to see the dancers’ connections to each other, and their connections to the quarries themselves.
Dance critic, scholar, performer, activist Sally Banes died on 14 June in Philadelphia.
I’ve always believed that dance has a literature, much like music or drama. Dance’s literature consists of both ideas (choreography) and the execution of ideas (performance).
The dance revolution of the 1960s and 70s seems to be making a comeback as dancers think about making their performances less artificial, more “natural.”
The performance I saw on Friday night revealed Boston Ballet’s priorities: while the dancers possess a high degree of technical skills, they have a looser notion of nuanced acting.
Anne Teresa De Keersmaeker invites the audience to let go of outside distractions and meditate on our own deeper feelings.
Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
This mysterious dance may have no meaning at all beyond its cryptic theatricality and movement. Or it may mean a lot.
Dance Review/Commentary: “The Grand Union” — The Story of the Accidental Anarchists of Downtown Dance
This fascinating book, and the rich literature of films and writings around it, have helped me feel a bit more positive about these shrunken times.
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