If you find David Cronenberg’s cinematic philosophy on bodily abjection/assimilation and the artistic process intellectually stimulating, then you’re in for an intoxicating return to form from the man whose name is synonymous with the body horror genre.
Léa Seydoux
Film Review: “France” — A Comic Drama about the Shallowness of Contemporary Journalism
Léa Seydoux claims the spotlight as the title character in Bruno Dumont’s pithy and entertaining France, giving a performance that’s cunningly calibrated to mesmerize.
Film Commentary: You Know It When You See It — Desire and “Blue is the Warmest Color”
Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?