Landry Harlan
A taboo interracial romance may not be groundbreaking material for fiction, but Robinson’s spare conflicts are only the means to generate intimations of the profound in the everyday.
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It didn’t take long for this eminently readable and bingeable collection to draw TV adaptation attention.
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The Boy in the Field is the latest novel from Margot Livesey, a prolific writer with a keen eye for the interiority of her characters, a skill that enriches her novels with a rare intimacy and immediacy.
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The “choose your own adventure” turns out not to be a gimmick; setting up alternatives makes Telephone more affecting than Everett’s self-consciously directionless narrative may deserve.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio