Jonathan Blumhofer
For balance and virtuosity, the Berlin Philharmonic Orchestra plays Rued Langgaard’s “Klippepastoraler” for all it’s worth. That just doesn’t end up being very much.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in. Frankenstein (1931) Somerville Theatre at 2 p.m. on October 23 This iconic horror film from 1931 screens today with a live…
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read More
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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At its best, Steve Reich’s Conversations is illuminating and engaging, an honest discussion of the creative process by one of the major composers of our times.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Nico Muhly’s writing in Stranger is of a type of post-Minimalism: often pulsing (or undulating) and rhythmically driven, though anything but harmonically simplistic.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read More
