Jonathan Blumhofer
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
This gripping and engaging release from HK Gruber and the Swedish Chamber Orchestra manages to thread the needle between the various strands of Kurt Weill’s musical personality.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
A trio of reviews of recordings that include sadly neglected pieces by Dvořák, pianist Mitsuko Uchida’s phenomenal Diabelli Variations, and a haunting, arresting round-up of new music by the Departure Duo.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
For balance and virtuosity, the Berlin Philharmonic Orchestra plays Rued Langgaard’s “Klippepastoraler” for all it’s worth. That just doesn’t end up being very much.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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