Jonathan Blumhofer
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in. Frankenstein (1931) Somerville Theatre at 2 p.m. on October 23 This iconic horror film from 1931 screens today with a live…
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
At its best, Steve Reich’s Conversations is illuminating and engaging, an honest discussion of the creative process by one of the major composers of our times.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Nico Muhly’s writing in Stranger is of a type of post-Minimalism: often pulsing (or undulating) and rhythmically driven, though anything but harmonically simplistic.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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