Jeremiah Kissel
With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
A genuine satirist kicks against all the pricks, relishing that he or she might challenge rather than placate audiences.
Tragedy isn’t when evil triumphs, but when good becomes entangled in its own inevitable contradictions.
The King of Second Avenue’s one-joke shtick wears out long before the end of this 90-minute musical.
In this fiction and plays, Thomas Bernhard creates fascinatingly repugnant monsters, black holes of egotism that are symptomatic of our spiritual and moral myopia.
To its considerable credit, Make My Heart Flutter is more existential, literary, and weird than most American comedies.
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