Israel Horovitz

Theater Commentary: The Boston Theater Critics Association — Finally Reached a Conclusion?

June 1, 2020
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The Boston Theater Critics Association should take action in support of #MeToo. But this will probably be the last year I request that Israel Horovitz’s Elliot Norton Prize be withdrawn.

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Theater Commentary: The Boston Theater Critics Association — Still Evaluating?

May 16, 2019
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The BTCA should take action in support of #MeToo.

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Theater Commentary: The Boston Theatre Critics Association — Wasting Its Time

May 28, 2018
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Recommended hashtags for the Boston Theatre Critics Association: #MeTooGiveMeTime, #MeTooNotYet

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Commentary: Once More, Back to the Little Shop of Horovitz

April 10, 2018
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The strategic silences in the Boston Globe’s piece on the legacy of Israel Horovitz are disturbing.

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Theater Commentary: Horovitz and Sexual Harassment — Why Did it Take Over 20 Years?

December 12, 2017
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Does anyone really believe that there is no sexual harassment going on in Boston area theater companies today?

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Theater Commentary: Twenty Years Ago — Stonewalling Charges of Sexual Harassment

December 12, 2017
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These articles dramatize, sadly, who was listened to and who wasn’t when sexual allegations were made against playwright Israel Horovitz in the early ’90s.

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By Request: Out of the Past — Sexual Harassment, Trouble at the Gloucester Stage Company

November 2, 2017
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Let us hope that today’s revelations will be taken more seriously than charges of sexual harassment and assault were back in 1993.

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Theater Review: “Out of the Mouths of Babes” — Memories of a Cad

August 19, 2017
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Israel Horovitz’s latest play delivers some fine moments of comedy as well as some dark revelations about female neediness.

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Theater Review: A Gripping “Man in Snow” at the Gloucester Stage Company

October 10, 2016
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Man in Snow encourages us to reflect on our own bit of mortality. We don’t probably take the time to do that enough.

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Fuse Theater Review: Color Me “Gloucester Blue” — at the GSC

September 21, 2015
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Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.

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