Isaac Feldberg
What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.
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M. Night Shyamalan turns the trilogy topper he needed to make after Unbreakable and Split into a preposterous group therapy session.
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Pledge is Daniel Robbins’ third film, and his first really good one.
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Roma is Alfonso Cuarón’s gorgeous, neorealist ode to his formative years growing up in ’70s Mexico City, and to the housekeeper he took for granted as she carried him through that tumultuous decade.
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This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
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The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
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Piercing choreographs its weirdness early and often.
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Film Feature: More Top Movies of 2018
We need Blindspotting. It’s an eye-opening, indispensable film, and the year’s crowning artistic achievement.
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